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Alarm Will Sound presents Modernists

by Alarm Will Sound

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Murphy Adams
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Murphy Adams An awesome take on some truly crunchy music. Matt Marks's arrangement of Revolution 9 is one of the best arrangements I've ever heard. Well done. Favorite track: Revolution 9 (arr. Matt Marks).
Christopher Moklebust
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Christopher Moklebust Alarm Will Sound continues to put out some of the most impressive arrangements for large ensemble I've ever heard. Just listen to them preform an arrangement of the Beatles' Revolution 9 and you'll see. Impressive work, can't wait for the full release! Favorite track: Revolution 9 (arr. Matt Marks).
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Terror is often the first response to unfamiliarity, and some of the boldest forays into the unfamiliar have launched under the banner of Modernism. Listening to new sounds can be akin to watching a horror movie—with ears covered rather than eyes—but given time, what was once disturbing can become intriguing.

Alarm Will Sound ventures into the outer reaches of propriety on Modernists. The album is bookended by two masterworks of modern recorded sound that have been arranged for the ensemble: “Revolution 9” by The Beatles (arranged by Matt Marks) and “Poème électronique” by Edgard Varèse (arranged by Evan Hause). Each is strange and unfamiliar in its own way, with a history of angering as many, if not more, listeners than they have won over.

The 23-piece band led by Alan Pierson, AWS Artistic Director, also offers work written for the ensemble by Wolfgang Rihm, Charles Wuorinen, AWS pianist John Orfe, and Augusta Read Thomas (whose “Final Soliloquy of the Interior Paramour” features vocal performances by Kirsten Sollek and Caleb Burhans).

As the Denver Post has noted, “Alarm Will Sound has grabbed the future of classical music and made it now—merging styles, erasing boundaries, championing experimentation and obviously having fun along the way.” This joyful and adventurous spirit is at the heart of the Modernists album.


released April 29, 2016


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